The Negativicer handbook.
The practical reference for the current iPhone app. Labels in the app may differ by language.
Quick start
What the app does
Negativicer meters reflected light using the iPhone camera and suggests a shutter speed for your chosen aperture. Transfer both settings to your analog camera yourself. The record button logs an exposure; it does not release the analog camera’s shutter.
Your first roll
Open the menu → Cameras & lenses. Add your camera, its actual shutter speeds and a compatible lens. Add a film roll and load it into the camera. Choose your aperture, read the suggested time and take the photograph. Tap the centre record button once to log the frame.
Screen stays awake
The iPhone stays awake while the app is active in the foreground, including while reading its handbook. Backgrounding the app restores the normal auto-lock behaviour. You can still lock the phone using its side button.
The metering screen
Aperture scale
Tap an aperture to select it. Green marks the current value. With a selected camera, the scale uses the entered lens range. Long scales wrap to keep all values visible; the app does not detect the engravings on your lens.
ISO, camera and frame counter
ISO is the working film sensitivity. Without a camera, tap ISO to change it. With a camera, edit the working ISO for its loaded roll in the camera detail. Tap the camera name for camera management. The frame counter opens film rolls; metering alone never advances it.
Freeze, reciprocity and preview
The dotted double-circle freezes or resumes the view and metering basis. The f-in-a-circle toggles long-exposure correction: times above one second are multiplied by the film’s saved factor. Consult film manufacturer guidance for important long exposures. The overlapping circles select compatible black-and-white filters; the spectrum icon switches colour and monochrome preview. Preview is an aid, not a guaranteed film simulation.
Shutter scale
Green marks the suggested time. “125” means 1/125 second. A leading apostrophe means whole seconds; “B 12.0s” means a 12-second Bulb exposure. The scale displays the enabled camera speeds and is not a manual shutter selector.
Metering circle and zone control
The number is EV at the displayed ISO, including calibration. A means an average reading, not aperture-priority mode. Moving the circle away from its original position switches to local metering. In zone mode, drag the zone label up or down to change its target. Double-tap the lower-left correction circle to reset all targets to V.
Record button and menu
The central button logs the next frame of the loaded roll, with exposure, date, lens and optional snapshot and GPS. If no camera or roll is selected, the app opens the appropriate setup screen. It will not create a roll automatically. The gear opens Photographing, then Settings, followed by Handbook, website Tutorials and Privacy.
Cameras, lenses and film rolls
Camera setup
Add a name and film format. Enable only speeds your camera actually supports and specify whether Bulb is available. A camera’s entered capabilities determine the suggested settings.
Lenses
Enter the name, focal length, widest and smallest apertures; for an f/2–16 lens enter 2 and 16. Assign compatible cameras and optionally a filter diameter. Tap a lens in camera details to select it. Changing lenses keeps the loaded film roll.
Load a roll
Add a roll using a film stock and frame count. It starts under Ready. Load it into a camera before logging exposures. A camera can hold one loaded roll at a time. Working ISO may differ from the stock’s nominal sensitivity.
Finish and develop
When you finish the roll, remove it from the camera in film management. Move it through Exposed, In development and Developed. Removing a roll allows the camera to be loaded again. A roll cannot be deleted while it is loaded; deleting an undeveloped roll shows a warning.
Multiple measuring points
Add and compare
Double-tap a metering circle to add another point, up to four in total. From the second point, the image freezes automatically and all points meter locally. Move them to important scene areas. Hold an additional green point to remove it. Returning to a single point resumes live metering.
How the time is calculated
Each point combines its EV reading with its own target zone. All points contribute equally in EV to one shared exposure. “Z Ø” indicates the combined zone evaluation. Three points often cover shadows, midtones and highlights; a fourth can cover another important area. See the Zone System section for examples.
Reset
Double-tap the lower-left correction control to reset all zone targets to V. Three taps on an empty preview area reset points to the base point and remove the active filter.
Storage, export and troubleshooting
Local records and PDF
Settings and film records stay in the app’s protected storage. They are excluded from automatic system backups. There is no app iCloud sync or restore in the current version. Export important rolls as PDF before uninstalling. A PDF contains a roll overview and a page for each logged exposure with available data and snapshot.
Optional GPS
GPS starts off. Enable it in Settings and grant location access to include available coordinates. Turning it off prevents new coordinates but does not remove old ones. You can meter without location access.
Delete a roll
Remove the roll from its camera first. Deleting then removes the roll’s exposures, snapshots and PDFs managed by the app. Copies you already shared or saved elsewhere remain.
No camera image
Allow camera access in iPhone Settings → Negativicer, then return to the app. If an image remains unavailable, stop other camera use, try again or restart the app. Without a valid fresh image, the app does not log a measurement.
Time outside camera range
Change the aperture or check the camera’s enabled shutter speeds. Use Bulb only if your camera supports it. Very long exposures may require film-specific reciprocity correction.
Calibration
Compare with a trusted reflected-light meter using the same ISO and the same subject area. Check aperture, camera capabilities and filters before changing calibration. One full shutter-speed step is approximately one EV. The current film reciprocity correction is a simple factor, not a full film-specific curve.
The Zone System
| Zone | EV Δ | Tone |
|---|---|---|
| 0 | -5 | Black, no detail |
| I | -4 | Almost black |
| II | -3 | Deep shadows |
| III | -2 | Dark with detail |
| IV | -1 | Dark midtones |
| V | +0 | Middle reference tone |
| VI | +1 | Light midtones |
| VII | +2 | Bright with detail |
| VIII | +3 | Very bright |
| IX | +4 | Almost white |
| X | +5 | White, no detail |
EV relative to V for the same single point. Swatches are not a calibrated film or screen reproduction.
What is a zone?
Zones describe intended tones from black to white. Adjacent zones are one exposure stop (1 EV) apart. Zone V is the middle reference tone for a reflected-light reading. The classical Zone System also involves development and final reproduction; Negativicer helps plan exposure.
Place one area
Enable the black-and-white Zone System in Settings and switch to monochrome preview. Move the metering circle onto the important area for a local reading. Drag its zone label to select the target. Choose an aperture, transfer the suggested time to your camera, take the photograph and log it.
Dark fabric: Zone III
To keep a dark coat dark with detail, try Zone III. It receives two stops less exposure than Zone V. At the same aperture, a theoretical 1/125 s becomes about 1/500 s for that single point, without filters or reciprocity correction.
A bright wall: Zone VII
A bright wall with detail may suit Zone VII: two stops more exposure than Zone V. At the same aperture, 1/125 s becomes about 1/30 s. Higher zones lengthen the time; lower zones shorten it.
Two targets, one exposure
Suppose a shadow reads EV 11 and is placed in III, while a bright area reads EV 15 and is placed in VII, at the same ISO. Both propose EV 13 after zone placement. At f/8 this gives about 1/125 s. Their four-stop difference matches the chosen four-zone separation.
When targets do not line up
Choosing zones does not change the scene’s contrast. Two similarly bright areas cannot become far-apart tones merely by changing one shutter speed. The app weighs both points equally and proposes a shared exposure, so each area may not reach its exact target. If one area matters most, meter only that area and choose its zone.
Film and development
A target zone does not guarantee a negative density or scan brightness. Film, processing and final reproduction matter. The app does not calculate N+/N− development. Frames on one roll are usually developed together. After development, compare with the roll PDF; individual target zones are not separately saved in the PDF at present.